However, people should understand that gender and sexual diversity are inherent in Indonesian societies.
Culturally, Indonesians have recognized sexual and gender diversity as part of their daily lives. Indonesia has a rich history of homosexuality and transgenders. This fact contradicts the common belief that they are Western imports. It is time that people stopped considering homosexuality and transgender as products of Western culture.
Indonesia’s culture has long been accustomed to gender diversity before colonialism and modernity exerted their strong influence in the society.
Let’s take a look at the Bugis people in South Sulawesi with their gender flexibility. Since the pre-Islamic era, the Bugis people have recognized five genders. They divide the society into man (oroane), woman (makkunrai), transgender woman (calabai), transgender man (calalai) and androgynous priest (bissu).
Similarly, in the same province, Torajan people also recognized a third gender, or to burake tambolang. Anthropologist Hetty Nooy-Palm said the Torajan people believed the most important religious leaders in their culture are a woman, or burake tattiku, and a man dressed as a woman, or burake tambolang.
In the past, transgender religious leaders in both Toraja and Bugis played important roles in their communities. Bissu and to burake led spiritual ceremonies or harvest rituals in villages. The people would admire and honor a village with a to burake. Unfortunately, this tradition has diminished due to modern values and education brought by colonialism.
Same-sex practices have also long existed in Indonesia. Some tribes in the southeast of Papua – similar to tribes in the eastern highlands of Papua New Guinea – practiced “ritualized homosexuality”. This practice required young men to perform oral sex on elder males as part of their rites of passage to manhood. They believed that semen was the source of life and the essence of masculinity, important for boys to become real men.
In East Java, the traditional dance performance Reog Ponorogo depicts intimate relationships between two characters, warok and gemblak. The main male dancer, or warok, must follow strict physical and spiritual rules and rituals.
Under these rules, a warok was prohibited from engaging in a sexual relationship with a woman. But he was allowed to have intimate relationships with young boys’ characters, or gemblak, in the performance. Although warok and gemblak were engaged in same-sex acts, they did not identify themselves as homosexuals. Nowadays, women have begun to play the gemblak character.
In other Javanese traditional drama performances like ludruk and wayang orang, a man playing a woman’s character or vice versa is not unusual.
Changing genders in the global context
These rich and intricate traditions of gender diversity in Indonesia have diminished due to colonialism. Colonialism redefined the concepts of gender and sexuality according to modern religions and values.
Modern religions strongly emphasize heterosexuality within marriage. Sex is considered a moral issue, so sex that happens outside marriage or between a non-heterosexual couple is immoral.
Homosexuality was prohibited under Dutch colonialism. Although Indonesia has no specific law on homosexuality, homosexuality is generally viewed as unacceptable.
However, globalization has brought new dimensions of gender and sexual identities. New categories like lesbian, gay, transgender, queer and inter-sex have entered our vocabulary. The term LGBT is quite popular in recent years, despite its pros and cons.
Vast information through the internet and social media provides a relatively dynamic discourse on gender identities in Indonesia.
On the internet, we can find different terms to accommodate gender flexibility. People introduce terms like lesbi, which refers to lesbian, and tomboi, or masculine women, from West Sumatra. They develop terms like butch, femme, and andro that refer to urban lesbians. There are also terms like hunter (masculine lesbian) and lines or feminine lesbian from South Sulawesi. Other terms include waria (transgender woman), priawan (transgender man), transmen (trans men) and transpuan (trans women).
These new terms show that people’s reactions to gender diversity vary. The dynamic discussions surrounding the topic also indicate “sexual desires that exceed simple categorization”.
The lively debates on the internet show how technology and globalization have managed to raise awareness of gender and sexual identities that intertwines with local cultural contexts.
Irwan Martua Hidayana is Associate Professor at the Department of Anthropology, Universitas Indonesia. Bimo Alim has contributed to this writing.
This article was first published on The Conversation, a global media resource that provides cutting edge ideas and people who know what they are talking about.